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The murderer turned author who published clues to his crimes


OurtimeBD.com
09.08.2018

BBC: When Chinese author Liu Yongbiao was convicted earlier this week of bludgeoning four people to death in a guesthouse in 1995, it might not have come as such a surprise to his readers.
In a preface to his 2010 novel, itself titled The Guilty Secret, Liu said he was already at work on a follow-up about a female author who’s committed a series of gruesome murders and evaded capture. In the end he never wrote it, though he already had a title in mind: The Beautiful Writer Who Killed. Following his arrest, he reportedly told Chinese TV station CCTV that some of his works were indeed inspired by his thoughts about the murders, whose victims included the guesthouse owners’ 13-year-old grandson. Liu is not the first author to have committed a grisly crime and fed it into his fiction. In 1991, Dutch writer Richard Klinkhamer murdered his wife and then delivered a macabre manuscript to his agent whose title translated as ‘Wednesday, Mince Day’, and which might have been subtitled Seven Ways to Kill Your Spouse.
Real-life crimes have found other routes into fiction, too, haunting novelists whose vivid imaginations are able to pick up where experience falls mercifully short. From Truman Capote’s seminal ‘non-fiction novel’ In Cold Blood to international hits like Emma Donoghue’s The Room and Emma Cline’s The Girls, chilling wrongs have a way of becoming only more so once they’ve been fictionalised, enabling them to take up residence in the darkest recesses of the mind.
These five crimes and the literature they’ve inspired create a literary hybrid that is not for the skittish. Her real name was Elizabeth Short. She was just 22 when her mutilated corpse was found in an empty lot in Los Angeles in January 1947. It had been severed at the waist and drained of blood, leading the young mother who made the gruesome discovery to at first assume she was looking at a mannequin. Lurid newspaper coverage soon dubbed the victim the Black Dahlia. The police investigation circled 150 suspects but no arrests were ever made and of the 500-plus confessions that have since been made, none has held up. This notorious cold case has had enduring cultural influence, inspiring numerous books and films including John Gregory Dunne’s 1977 novel True Confessions, which takes a similar crime as its starting point and evolves into a redemptive portrait of two brothers in 1940s LA. Best-known, however, is James Ellroy’s dark, shimmering 1987 thriller, The Black Dahlia. It departs from the facts in one key respect: the case gets solved. And though the novel begins the year before Ellroy was born, it has personal resonance for him, being dedicated to his mother, who was murdered in LA in 1958. Arthur Conan Doyle received a lot of fan mail in his time, including letters whose writers confused him with his fictional sleuth, Sherlock Holmes, and sought his help solving mysteries. In the first decade of the 20th Century, a solicitor named George Edalji was freed from jail having served three years of a seven-year hard labour sentence. His crime, so the court ruled, was the mutilation of horses and cattle and a vicious campaign of anonymous letters sent to his own parents. Endalji insisted he was innocent and wanted Doyle to help him prove it. Doyle became convinced that Endalji’s skin colour – his father was Indian – had something to do with it, working hard to combat what would today be called institutionalised racism in the Staffordshire police force. The case made sensational headlines at the time, becoming known as the Great Wyrley Outrages, and in 2005, Julian Barnes fictionalised it as Arthur & George. A wise, whip-smart detective adventure, it was shortlisted for the Man Booker Prize and adapted for both stage and screen.


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